Search: Starring Julian Sands

All fur coat and no knickers.

Occam’s razor is badly needed here.

Himself a survivor of the Khmer Rouge regime, lucky to have escaped with his life, Ngor subsumes himself in the role in a way that makes one wonder that he made it through filming without losing his mind.

Otto's sensitively structured portrait of an engaging Peter Pan draws us irresistibly into his world.

Cage and Shue transform [their characters] into believable people you feel you could talk with - transcending the usual boundaries of the screen and your heart.

These sharks behave more like the real thing, curious to begin with, observing and then swooping in for test bites rather than going straight for the kill.

The Medallion has five scriptwriters. Surely one of them might have noticed a gaping hole where the story should have been.

Wim Wenders films this dysfunctional love story in a tricksy cinematic manner, adding another layer of pretension to the already overloaded dumpster.

Jim Isaacs's creatures are remarkable, as is the film - unique, disturbing, wicked.

The Persian Connection is anchored by an affecting performance from Safai.

Smutný gives us faces that will stories even when they're still, the weight of long experience etched into every line.

The musical work within the film is its greatest asset so one wonders if certain scenes ended up being edited to suit it, rather than the other way around.

The cast could not be better.

Within the confines of this technically complex idea, Figgis has created a work of considerable artistic merit.

Predictability is the name. Wrestling is the game.

While immensely trashy, Warlock also takes itself very seriously, which is probably its saving grace.